Sinter
by Arovane
Mind over MIDI
Mind over MIDI
Shutter your eyes, slip into the sumptuous sonic details and drift with the tonal tides. Reality disengagement complete.
Favorite track: Muster.
TheSlowMusicMovement
TheSlowMusicMovement
More restless, consummately crafted ambient music today from Arovane - one of the genre's finest, time proven purveyors; released on one of the genre's most reliable purveyors - Laaps; a combination that was always destined to end well, & so it has. Headphones advised, shutter your eyes, slip into the sumptuous sonic details and drift with the tonal tides. Reality disengagement complete.
wind-borne
erik_mowinckel
Matthew Mercer
saivo
Dirk Ruhfus
Marco Zonta
Joe Leifheit
tetraeder
suioogami
unto the aeon
Pep Aubach
compasscharlatan
Alex Parker
doordotlink
jorp
Jason Akira Somma
nate scheible
Stewart Fritz
audiodrifter
Material Object
Zilla
MkB
Hollis Mickey
Jayden Erhcetua
Stu Smith
hiroshi misaki
luca formentini
Gavin Pykerman
membacher
semmeltier
Thomas Bücker
LPT
tsrono
jonlloyd
mo/f/o
black sheep audio
Eric Eberhardt
chromasy
Steve Pacheco (truthiscolor)
liisring
kidatari
Scubadevils
Sherkaner
dbp
amenmodem
Andy Maurer
Sterion Music
Nick Inhofe
joshua pearson
Wil Bolton
Ews Nsj
Frankie G
Steve_X
stepstones
ahorkey
blendaround
egoebelbecker
William Hunter
quantidgy
noshape
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Digital Album
Streaming + DownloadIncludes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.Purchasable with gift card -
Full Digital Discography Full Digital Discography
Get all 30 laaps releases available on Bandcamp and save 60%.
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Serendipity, The Eighteen Minute Gap, Considerable, Diagenesis, Like Floating Leaves, Sinter, 438Hz As It Is, As You Are [あるがまま、あなたのままに], Of No Such Place, and 22 more.
Purchasable with gift card€72 EUR or more (60% OFF)
You own this
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CD - 200 Limited Edition / hand-numbered & sealed
Compact Disc (CD) + Digital Album---------------------------------
• Glass mastered CD
• Digisleeve : white cardboard 300 gm
• Outside : x 2 adhesive glossy paper
• Inside : thick paper card + x 2 stickers
• Hand numbered Limited edition to 200 copies, sealed (like old book)
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Includes unlimited streaming of Sinter via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.Sold Out
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Vinyl - 300 Limited Edition / hand numbered
Record/Vinyl + Digital Album---------------------------------
• 12’’ black vinyl
• Matt laminated outer sleeve + pantone on 300 gm paper
• Hand numbered / Limited edition to 300 copies
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Includes unlimited streaming of Sinter via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.Sold Out
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1. |
Fern
04:01
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2. |
Lithh
01:21
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3. |
Konstant
04:24
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4. |
Decay
01:24
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5. |
Gitter
01:31
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6. |
Glimmer
02:11
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7. |
Muster
06:10
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8. |
Faraday
02:22
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9. |
Sinter
03:16
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10. |
Skaal
02:27
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11. |
Wendung
09:00
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12. |
Oktaf
02:22
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about
_____________________
laaps 025
season : winter
duration : 39.29 mn
___________________________________________________
" Sintering or frittage is the process of compacting and forming a solid mass of material by heat or pressure without melting it to the point of liquefaction. (…) The material produced by sintering is called sinter. The word sinter comes from the Middle High German sinter, a cognate of English cinder."
__________________________
" Born in the mid-60s, German musician and sound designer Uwe Zahn came on the scene of electronic music with his debut full-length album for DIN, titled “Atol Scrap.” In the very same year of 2000, the influential City Centre Offices label has signed Arovane for his majestic “Tides,” which has withstood the test of time for over two decades now. Back then, electronic music was split between the dance floors and the bedroom listening, with the latter carrying the now-famous acronym for Intelligent Dance Music. And Zahn’s compositions were indeed just that – more than a gimmicky, knob-twisting, stuttering randomization of experimental rhythms and tone, Arovane’s music evoked real emotion which has assembled his followers from around the globe. But his arrival on the scene was more than a predictable trajectory. Zahn’s sound began to take shape in the late 80s when the cut-up hip-hop beats were layered with synthesizer pads and looped samples. This experimentation progressed into what the 90s coined as breakbeat and glitch.
As the 2000s rolled over, and the monumental imprints, such as Skam and Warp, honed their staple repertoire defining the future of electronic music, City Centre Offices had a staple of their own. Often referenced alongside Boards of Canada and Autechre, Arovane’s sound quickly gained a discerning audience, tuning into his melancholic melodies, advanced textures, and complex polyrhythms. The pinnacle of his production was released in 2004, when suddenly, on “Lilies,” Zahn signed off with the final track, which he has titled “Good Bye Forever.” And then there was silence. For nearly nine years, the scene [and yours truly] mourned the loss of Arovane, assuming that he’s given up. That is until, in 2013, Zahn came out with a brand new album, “Ve Palor,” on the surviving post-IDM imprint, n5MD.
While on hiatus, Uwe spent his time researching, reconnecting, and reflecting on all he’s built. The sound experiments went on, and so did the music scene, morphing, dissolving, re-shaping itself into a new form for new followers. During that time, Zahn spent some time with sound design, creating patches for Access Virus TI, as well as sample packs for various sound developers. After “Ve Palor,” Zahn began collaborating with various musicians from around the world, exploring, directing, and fusing their distinguished sound with his own. On his subsequent releases, he shared credits with ambient artists Porya Hatami, Hior Chronik, Darren McClure, and even yours truly. During our collaboration, Zahn often described the process of building a new vocabulary for our very own defined language, with which my piano spoke through sound.
With nearly two dozen studio releases under his belt, numerous EPs and singles, and just as many appearances on various compilations, Zahn continues to split his time between his fascination with sound design, sonic programming, and musical composition, which sees the light via his ongoing projects, releases, and contributions towards audio plug-ins, software synths, and sound sets for advanced hardware. It’s effortless to slot Zahn’s sound between the genres, scenes, and names, but very difficult to peel apart, define, and then express the essence using words. However, what is simple and essential for the ones who understand, is recognizing, admiring, and subsequently falling in love with all that is encompassing of Arovane."
– Mike Lazarev –
arovane.bandcamp.com
__________________________
laaps 025
season : winter
duration : 39.29 mn
___________________________________________________
" Sintering or frittage is the process of compacting and forming a solid mass of material by heat or pressure without melting it to the point of liquefaction. (…) The material produced by sintering is called sinter. The word sinter comes from the Middle High German sinter, a cognate of English cinder."
__________________________
" Born in the mid-60s, German musician and sound designer Uwe Zahn came on the scene of electronic music with his debut full-length album for DIN, titled “Atol Scrap.” In the very same year of 2000, the influential City Centre Offices label has signed Arovane for his majestic “Tides,” which has withstood the test of time for over two decades now. Back then, electronic music was split between the dance floors and the bedroom listening, with the latter carrying the now-famous acronym for Intelligent Dance Music. And Zahn’s compositions were indeed just that – more than a gimmicky, knob-twisting, stuttering randomization of experimental rhythms and tone, Arovane’s music evoked real emotion which has assembled his followers from around the globe. But his arrival on the scene was more than a predictable trajectory. Zahn’s sound began to take shape in the late 80s when the cut-up hip-hop beats were layered with synthesizer pads and looped samples. This experimentation progressed into what the 90s coined as breakbeat and glitch.
As the 2000s rolled over, and the monumental imprints, such as Skam and Warp, honed their staple repertoire defining the future of electronic music, City Centre Offices had a staple of their own. Often referenced alongside Boards of Canada and Autechre, Arovane’s sound quickly gained a discerning audience, tuning into his melancholic melodies, advanced textures, and complex polyrhythms. The pinnacle of his production was released in 2004, when suddenly, on “Lilies,” Zahn signed off with the final track, which he has titled “Good Bye Forever.” And then there was silence. For nearly nine years, the scene [and yours truly] mourned the loss of Arovane, assuming that he’s given up. That is until, in 2013, Zahn came out with a brand new album, “Ve Palor,” on the surviving post-IDM imprint, n5MD.
While on hiatus, Uwe spent his time researching, reconnecting, and reflecting on all he’s built. The sound experiments went on, and so did the music scene, morphing, dissolving, re-shaping itself into a new form for new followers. During that time, Zahn spent some time with sound design, creating patches for Access Virus TI, as well as sample packs for various sound developers. After “Ve Palor,” Zahn began collaborating with various musicians from around the world, exploring, directing, and fusing their distinguished sound with his own. On his subsequent releases, he shared credits with ambient artists Porya Hatami, Hior Chronik, Darren McClure, and even yours truly. During our collaboration, Zahn often described the process of building a new vocabulary for our very own defined language, with which my piano spoke through sound.
With nearly two dozen studio releases under his belt, numerous EPs and singles, and just as many appearances on various compilations, Zahn continues to split his time between his fascination with sound design, sonic programming, and musical composition, which sees the light via his ongoing projects, releases, and contributions towards audio plug-ins, software synths, and sound sets for advanced hardware. It’s effortless to slot Zahn’s sound between the genres, scenes, and names, but very difficult to peel apart, define, and then express the essence using words. However, what is simple and essential for the ones who understand, is recognizing, admiring, and subsequently falling in love with all that is encompassing of Arovane."
– Mike Lazarev –
arovane.bandcamp.com
__________________________
credits
released January 23, 2023
__________________________
Written and produced by Arovane.
Recorded and edited at Saale Studio.
Track 03. Konstant is dedicated to Taylor Deupree.
_________
Mastered by Taylor Deupree (12K)
Artwork by Marco Cadioli
Design by Sprflxgrfzm
___________________________________________________
℗ & © 2 0 2 3 - l a a p s 0 2 5 ( s e q 0 4 )
_____________________
__________________________
Written and produced by Arovane.
Recorded and edited at Saale Studio.
Track 03. Konstant is dedicated to Taylor Deupree.
_________
Mastered by Taylor Deupree (12K)
Artwork by Marco Cadioli
Design by Sprflxgrfzm
___________________________________________________
℗ & © 2 0 2 3 - l a a p s 0 2 5 ( s e q 0 4 )
_____________________
license
all rights reserved
tags
about
laaps Brittany, France
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each release start with the end of the previous one.
in sound and visually.
an exquisite corpse with 100 releases which will make the loop.
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discography
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Aug 2023 -
Jul 2023 -
May 2023 -
Apr 2023